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・ Hungary at the 1948 Winter Olympics
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Hungarian Rhapsodies
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・ Hungarian Rhapsody (1954 film)
・ Hungarian Rhapsody (film)
・ Hungarian Rhapsody No. 1
・ Hungarian Rhapsody No. 10
・ Hungarian Rhapsody No. 11
・ Hungarian Rhapsody No. 12
・ Hungarian Rhapsody No. 13
・ Hungarian Rhapsody No. 14
・ Hungarian Rhapsody No. 15
・ Hungarian Rhapsody No. 16
・ Hungarian Rhapsody No. 17
・ Hungarian Rhapsody No. 18
・ Hungarian Rhapsody No. 19


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Hungarian Rhapsodies : ウィキペディア英語版
Hungarian Rhapsodies

The Hungarian Rhapsodies, S.244, R.106 ((フランス語:Rhapsodies hongroises), (ドイツ語:Ungarische Rhapsodien), (ハンガリー語:Magyar rapszódiák)), is a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846–1853, and later in 1882 and 1885. Liszt also arranged versions for orchestra, piano duet and piano trio.
Some are better known than others, with Hungarian Rhapsody No. 2 being particularly famous. No. 10 and No. 6 are also well known.
In their original piano form, the ''Hungarian Rhapsodies'' are noted for their difficulty (Liszt was a virtuoso pianist as well as a composer).
==Form==
Liszt incorporated many themes he had heard in his native western Hungary and which he believed to be folk music, though many were in fact tunes written by members of the Hungarian upper middle class, or by composers such as József Kossovits,〔Walker, ''Virtuoso'', 341.〕 often played by Roma (Gypsy) bands. The large scale structure of each was influenced by the verbunkos, a Hungarian dance in several parts, each with a different tempo. Within this structure, Liszt preserved the two main structural elements of typical Gypsy improvisation—the ''lassan'' ("slow") and the ''friska'' ("fast"). At the same time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale.〔Walker, ''Virtuoso'', 335–6.〕

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